ghostlystore:

Ghostly fan and GMS subscriber Rob Fissmer studied architecture at RISD and later went on to work at one of the world’s most influential design stores, Moss, where he was also responsible for compiling our MG/M1 collaboration. Following his time at Moss, Fissmer settled into a position as the head of North American operations for Vitsœ, the UK company which produces the iconic 606 Universal Shelving System designed by Dieter Rams

It’s a little known fact that we are devout admirers of everything Dieter Rams related. In an age of overabundance, both digital and physical, Rams’ designs speak volumes to the practice of living better, with less. Amazingly, Rams even managed to imbue his humble shelving system with this sensibility. 

Fissmer recently re-located with his wife Elise Loehnen to Venice Beach, CA, where they have set up a unique “Vitsœ apartment” prominently featuring an array of 606 compositions. As a former DJ and lifelong vinyl collector, one could say that he is an ideal use-case for the system, which is not only flexible and movable, but perfectly suited for vinyl storage. 

We asked Rob to some share some of his insights on Rams, eclectic possessions, and organizing your vinyl by color. His answers after the jump.

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Jon Contino redesigned Jay-Z’s logo and explains his work beautifully:

The new Nets logo is something I was really happy about and really disappointed by at the same time as soon as it appeared online for all to criticize. I know that branding is all about “too many cooks in the kitchen” when it comes to mega-franchises like a professional sports team, but the idealist in me still thinks that every logo should be incredible and awe-inspiring. I don’t know…I’ll be a kid at heart for the rest of my life and expect magic around every corner. With that said, Bobby approached me yesterday and said, “I want to address this whole Nets logo, can you spare a few minutes and come up with what you think would be your solution to this logo?” I’m a sports guy all the way, I’ve always been a massive fan of athletic logos and the awesome history behind them. This was the perfect opportunity to flex the muscles I’ve always wanted to since the little league days.
To start things off, my time was extremely limited and my style is obviously not your typical swoosh-bang-wiz sports logo aesthetic. I’m not getting paid for this job, so I made it a little more personal than I would if this were an actual client of mine. With that out of the way and no-holds-barred, I wanted to take the solid concept behind Jay-Z’s logo and run with it a little further. Over the years, I think I may have become more familiar with classic New York design than anyone. It’s been an obsession of mine and I could probably teach a four year course on it by now.
From what I’ve read, the branding was based on 1957 New York City signage and from what I saw, there is aspects of it that still exist in the logo, but they have been modified to look a bit more modern. I went old school with it. All of the lettering matches similar font styles to that of subway tiles from 1950s New York. The B in Brooklyn for instance has that huge, bottom bowl and the tiny top. The Os are big and fat and nothing feels like the Helvetica subway map we’re all accustomed to. The next step was moving into the mark itself. I chose to do a slight restyling of the typical Brooklyn sports “B” and apply it here. It’s not just for the Dodgers, it’s been used for almost everything Brooklyn for over a hundred years. I wanted the B to be symmetrical so the counters could play around with basketballs, lettering, mimic subway signage, or whatever when the time comes to animate it in the arena or on TV. I took a more classic approach to the basketball itself and faced it head on as opposed to a three-quarters view in the current incarnation. Again, this has a more classic feel overall which is allowed by my non-existent client (the best kind of client when money isn’t involved!) I loved the black ring around the logo, so I thought it was important to keep that the same. The shield however was not something I thought was that important, nor did I think it looked very good. I played around with an actual basketball net to fit it in, but the whole thing looked too forced. I stepped away from that and concentrated on the basketball itself. The next step was applying the word “NETS” in a way that it could stand alone without feeling awkward. I dropped it in the basketball and added some rough spurs that connected to the lines in the ball itself. Those of you familiar with basketballs know that when the lines connect, they make this slight bulbous area that almost feels like the crossing of a chain-link in a fence. That also solved the problem of having to outline the type so that the line work didn’t cross over in an awkward fashion.
From there it was just adding a little finesse and making it come together as a solid brand. Of course if I handled this as a real project, it would be weeks of work, the lettering would probably be cleaner and make a bit more sense, and the lines would match up in a more stylistic way, not to mention the application to jerseys, hats, tees, etc…but we all know this is for fun and can imagine all the cool things we would do if we had control of the design of a sports team.
By the way. The original choice for black and white is completely bad ass and everything I would’ve hoped for in this logo to begin with. The color scheme alone makes me still appreciate and like the original just as much as ever. If you can only take one chance, make it a good one and make it count!!!
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nevver:

iOS ‘86
Peter Teubner
My room decor sets the mood right for sure
lovelyui:

icons on jetBlue
"The idea is that if you never break anything, you’re probably not moving fast enough."

Mark Zuckerberg, in his letter to Facebook shareholders.

On this, we totally agree.

Registration Statement on Form S-1

(via secondverse)